Manila, Philippines –– Dama Ko Lahi Ko, established in 2021, upped its mission of promoting Filipino soft power through cultural heritage by collaborating with Likha, an initiative dedicated to gathering Filipino weavers from Luzon, Visayas, and Mindanao.
Likha 3 started on June 7 and concluded successfully on June 11, 2024, at the Philippine International Convention Center (PICC) Forum. The event, supported by the office of the First Lady Liza Araneta-Marcos, was timed to coincide with the Philippines’ Independence Day celebrations. It featured 87 talented craftsmen and designers, providing a platform for connecting traditional artisans with contemporary designers to ensure the relevance and sustainability of Philippine textiles.
“Through our collaboration with Likha, we have witnessed the profound impact of storytelling in preserving and celebrating our cultural heritage. By sharing the rich narratives behind our traditional crafts, we honor our past and inspire future generations to cherish and sustain these invaluable traditions,” said Len Cabili, Co-founder of Dama Ko, Lahi Ko, and Creative Director of Filip + Inna.
The collaboration centered around a two-day series of talks on June 8 and 9, under the theme “Sining ng Lahi, Yaman ng Bayan,” aiming to impart a cohesive story of cultural heritage and legacy.
A post-talk panel discussion led by (L-R) Eric Zerrudo, Executive Director, National Commission for Culture and the Arts; Ahmad Nour-al-din Tamano, Jr., Provincial Tourism Officer, Lanao del Sur; Walid Pangcoga, Tourism Operations Officer, Lanao del Sur; and Charisse Aquino-Tugade, Founder, CulturAid.
The first day of talks on June 8 featured esteemed speakers Charisse Aquino-Tugade, who discussed Decolonizing Community; Walid Pangcoga who shared insights on Heritage and Tourism in Lanao del Sur: A Focus on Tugaya; and Ahmad Nour-al-din Tamano, Jr., who talked about Meranaw Artisans.
Charisse Aquino-Tugade said “Craft is the tangible representation of the knowledge that people pass down between generations.”
In photo: Charisse Aquino-Tugade, Founder, CulturAid
On June 9, the discussions continued with insights from Marielle Nadal Reyes on Designing Embroidery Patterns; Professor Mitzi Marie Aguilar-Reyes, who talked about The Role of Women in Weaving (Patadyong); Professor Rita Gudiño who shared her Meaning-Making through Ceramic Sculptures, and Dr. Norma Respicio, who discussed Defining Community Cultural Identities through Textile Weaving.
Professor Aguilar-Reyes highlighted the sacrifice it takes to live a life of crafting: “To help augment the income of their husbands, the woman weavers acted as steadfast partners who persisted to weave even during the wee hours of the night, do house chores, tend the farm, wash the clothes, cook, and look after children.”
(Bottom, L-R) Marielle Nadal Reyes, Entrepreneur, Craft MNL; Rita Badilla-Gudiño, Program Director, Tahanan Pottery & Faculty Member, Department of Visual Communication, Industrial Design Program, College of Fine Arts, UP Diliman; Norma Respicio, Researcher, Writer, and Faculty Member/Professor Emeritus at Department of Art Studies, College of Arts and Letters, UP Diliman; Mitzi Marie Aguilar-Reyes, Former Dean of the College of Fine Arts & Faculty Member, Dept. of Visual Communication, College of Fine Arts, UP Diliman, joined by the Dama Ko, Lahi Ko team
The collaboration between Dama Ko, Lahi Ko, and Likha highlighted Filipino craftsmanship’s richness and the stories behind these traditions. By merging the worlds of traditional weaving and modern design, this partnership not only celebrated the nation’s cultural heritage but also paved the way for its future sustainability.
